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Tuesday, April 14, 2015

Bullyheart - Antigravity

Bullyheart – Antigravity
2014, Skim Milk Productions


Bullyheart is the outward expression of recording artist Holly Long’s rebel musical heart.  The Chicago born singer/songwriter took off for UCLA to study theater, but it was music that ultimately moved her.  Today, Long has built a reputation as an honest, earthy songwriter and performer.  Long finds a home for her voice, both as a singer and as a songwriter, with Bullyheart.  Long created a cycle of ten songs entitled Antigravity with the help of musical cohorts David Boucher and Kevin Harp, but the sound is ultimately from the heart of Holly Long.

Bullyheart gets started with "Antigravity", a catchy little rocker full of syncopated guitar and a strategically laid back vocal from front woman Holly Long. The juxtaposition between arrangement and vocals is memorable, and Long's voice sounds like a cross between a young Geddy Lee and  Linda Perry.  "Thin Air" has a much more laid back vibe that's melancholy and refined. "No Pleasing You" has a catchy feel, and is driven by a talk-sing narrative style. Long works this song for all it is worth, and you'll have a hard time keeping it out of your head.

"How Was I to Know" is a slickly produced song of regret. It's well written and performed, but the elemental lyrics would work better without the highly polished sonic veneer.  "Lost My Nerve" is a languorous bit of navel gazing poetry set to a crawling arrangement. The juxtaposition of Long's voice and the depressive arrangement works on one level, but this is a tough listen nonetheless. Bullyheart sets the ship aright with the manic "Panic Attack". The inclination to pogo dance to this one is understandable; at the very least you won't be able to keep your feet still. "The Pendulum" swing back into navel exercise with a molasses like arrangement that is a tough sell.

"Shaken" takes the upbeat path in an observational piece about another’s emotional state and world outlook.  This is actually well-written, both musically and lyrically.  The song gets off to a slow start, but the incessant chorus has its own inertia, and you’ll find yourself bobbing along.  “There Goes My Man” explores angst in a delightfully high tempo rocker. This is a brilliant tune that could be even bigger in sound, but it works very well as presented here.  Don’t even try to sit still.  Bullyheart pulls in the oars for “Stay”, an angst filled, repetitive dirge that features just a lingering, plaintive acoustic guitar and Holly Long’s dynamic voice.  It’s a chilling moment, both memorable and painful. 

Bullyheart takes listeners through several ups and downs on Antigravity.  The down tempo pieces can linger too long and become bogged down in emotional and musical angst, but Holly Long always manages to sound good in the process.  The upbeat tunes are where she shines, rocking out in an understated but still notable fashion.  Antigravity is the sort of album you’ll revisit again and again, whether for specific tracks or the whole experience.

Rating: 4 Stars (Out of 5)


Learn more at www.bullyheart.com.  You can purchase Bullyheart from Amazon or iTunes.

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